Young photographer with a mission
By Ozolua Uhakheme
Assistant Editor (Arts)
Emily Nkanga, 21, is one of the few
young Nigerians with a strong passion to excel using photography as a launch
pad. Nkanga, who studied TV and Film at the American University of Nigeria,
Yola, Adamawa State capital, urged Nigerian youths to engage in meaningful
enterprise instead of waiting for the elusive white collar jobs. She also
tasked the youths to use the social media positively and make good money from
it.
The young photographer, filmmaker
and Chief Executive of Emily Nkanga Photography, said she drew much inspiration
from everyday activities and fine art. Last year, she undertook the
documentation of the plight of the internally displaced persons (IDPs) in the
northeast. She also initiated a concept titled: “Keep Hope Alive” – which
gave back to the community a percentage of cost of her photographs sold.
But her recently published book
entitled: The caged and the free spirited, revealed her story telling
talent, using images to pass strong messages. The book, a product of her
personal experiences in relationship, contains mainly photographs of a model
and quotations that reflect two extreme sides- a soul in bondage and a freed
one. But, it is also spiced with darkness, tears, pain, colourful ambience and
smiles.
She said as a photographer her aim
is to to convey messages apart from knowing the technicalities of taking
pictures. She said people should not just see images and scroll, but should be
able to relate to them. “It wasn’t just enough to connect with people on a
personal level I needed something that would actually connect to people. So,
there was a time when I had a personal experience. This book was done from a
personal experience,” she added.
She continued: “The book also
reveals that lots of people go through challenges, but because they smile, one
is tempted to believe such persons and do not have deep stories to
share.”
Speaking during a chat with The
Nation in Lagos, she said choosing photography as a career is very
challenging because you don’t want to repeat the same creative idea all over
again. “If not, it will get boring and people will get tired of it. So, if you
have about 10 clients, you need to create 10 different ideas for them.
Interestingly, my major clients are in the music industry maybe because that is
where I started off,” she said.
Though she wanted to be a
cinematographer, she believed that a good photographer is capable of being a
great cinematographer. So, instead of going into films, she chose to start with
photography. According to her, when she eventually becomes a cinematographer,
she would have great experience from photography.
Nkanga is not a stranger to the
entertainment industry. At an early age, her mother introduced her to the
church choir where she played the clarinet.
“I was actually in an orchestra. But
it was more of an all-women gospel orchestra in a Redeemed Christian Church. It
was mostly elderly women, but my mother drafted me in,” she recalled.
When asked what attracted her to
movies or films, she said: “It is an art. Basically, my foundation is to tell
stories. If you check most of my projects, there has to be a story. I can’t
just say I am putting out images; there has to be a story behind it. So, for me
it is just like storytelling and the ability to tell the stories is what
inspires me towards filmmaking.”
Undaunted by the teething challenges
of the Nollywood, Nkanga described Nollywood as a success story,
although she agreed that it could be better. “In fact, Nollywood has
improved. I watched some of the new age movies and I told myself that there is
hope. In fact, hope is here. But, I think apart from proper technology, it also
has to do with proper training. People feel they can go ahead with something
without wanting to go the extra mile. But modern filmmakers know their onions
and are seeking to improve,” she added.
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