When art, environment speak to peoples’ resilience
By Ozolua Uhakheme
Assistant Editor (Arts)
Director-General, National Gallery of Art, Mr Bashir Sodangi has urged Nigerians to explore the dynamic interplay between art and nature as well as appreciate the natural world not as a passive backdrop, but as active participant in the unfolding drama of climate change.
He said the mangroves, with their intricate network of roots and branches, are nature's silent sentinels, which serve as formidable guardians against storm surges, as vital carbon sinks, and as rich habitats for diverse species.
He noted that yet, they are on the front line of a climate crisis that threatens to unravel the delicate balance of our coastal ecosystems. Theirs, he said, is a story of resilience and vulnerability, a narrative that speaks directly to the human experience in times of change.
The Director General spoke at the opening of Dr. John Ed Debebs’s solo exhibition tagged Intersecting Worlds of Climate Change: the Mangroves and Art, featuring paintings, drawings, and water colours. It was held at West Tower, The Wings Office Complex, Victoria Island, Lagos between March 5 and 18.
Also on display along with the artist’s paintings are about 36 photographs of the mangrove forests by the Curator Mr Oriiz Onuwaje,
He stated that the exhibition presents an opportunity for all to engage in a dialogue, expressed through the visual arts about one of the most pressing challenges the world faces today- climate change--and the role of nature as embodied by the resilient mangroves.
According to him, Dr DeBebs has drawn inspiration from the captivating beauty and the urgent plight of the mangroves, adding that the works of art are not mere representations, but rather profound commentaries on the Niger Delta mangroves. “Through vibrant colours, evocative imagery, and innovative forms, each piece invites us to explore the dynamic interplay between art and nature, urging us to see the natural world not as a passive backdrop but as an active participant in the unfolding drama of climate change.
“Art has long been a mirror that reflects our hopes, dreams and fears. These paintings allow us to witness how creativity and the environmental sciences intersect; how brush strokes, colours, and canvas speak to the resilience of nature and the urgent need for its protection. The mangroves, with their intricate forms and essential roles, become powerful symbol of the broader environmental challenges we face, as well as a beacon of hope for regeneration and renewal,” he said.
Sodangi observed that the images on display challenge everyone to reimagine our relationship with the natural world as they call upon us to consider that our response to climate change is not solely a scientific or political endeavor, but also a deeply human one, rooted in empathy, beauty, and a commitment to safeguarding the planet for future generations. He noted that in the works, there is a vivid reminder that art has the power to ignite conversations, our emotions, and inspire action.
He expressed delight at the collaboration between the National Gallery of Art, Crimson Fusion Curators, and the National Council for Climate Change, which he said, promises to bring immense benefits to Nigeria. “A space has been created where art, environment, and science converge, where the dialogue about climate change is enriched by creative expression. We are encouraged not only to reflect on environmental challenges but also to celebrate the indomitable spirit of nature and humanity alike.
“Let these images of winding roots, flowing water, and vibrant landscapes prompt you to reflect on your own connection to nature. Ask yourself how, in your own way, you can contribute to the collective effort to protect these vital ecosystems. Whether you are an artist, a scientist, a policymaker, or a passionate citizen, you are an essential part of this conversation.
“Today, as we stand at the intersection of art and environmental stewardship, let us remember that every action we take, no matter how small, can contribute to a broader wave of positive change. May this collection serve as a catalyst for reflection, discussion, and, ultimately, meaningful action in our communities,” he added.
Sodangi who is very passionate about art and has continued to drive this narrative has championed several partnerships and collaborations with sister agencies and the private sector all in the bid to ensure that visual art takes it rightful position and contributing to Nigeria's Gross Domestic Product (GDP).
“Art as a medium of expression is used to draw stakeholders attention to the global issue of climate change. Climate change is an important topic around the world and the artist has used his paintings and installations to draw global attention.
The exhibition is very timely especially as it speaks directly not only to the issues of degradation in the Niger Delta, but also it's beautiful and exciting coastlines and mangrove forests, including the need to protect and preserve them. The Niger Delta mangrove is the largest in Africa and the third largest in the world, and so the NGA as an institution saddled with the business of art have a duty to get stakeholders attention and ensure it doesn't go into extinction. Materials like wood from the mangrove forest are used by artist and so you can see the need for the advocacy,” he said.
No comments:
Post a Comment